Home Listen/Order Upcoming Shows Contact/Booking Bio/Press Video Photos This album has already touched many people. Here is a small selection of reviews by respected publications and music websites. You might be young or old, a jazz fan or into rock music, with perfect pitch and hearing or dependent on a digital hearing aid-- as long as you give this album a chance and a listen, you will find that it captivates you too. Please feel free to send in your comments and feedback. Thank you. Album Reviews Turkish-born guitarist/composer Sinan Bakir makes a strong debut as a leader with the self-released On My Way, an inventive guitar-trio outing with bassist Thomson Kneeland and drummer Mark Ferber. As the title suggests, the Hartford, Connecticut-based musician shows he is definitely on his way to becoming a creative voice in the world of jazz guitar. Bakir moves easily from a classic Kenny Burrell-style, especially on chord melody passages (title track and "Steps"), to a more modern, linear approach in the mold of John Scofield ("Stop n' Go," "Karma"). The guitarist effectively mixes bebop lines with chromatic trills, relying heavily on guitaristic hammer-ons and pull-offs, to create a unique voice void of direct imitation. The full effect of Bakir's approach can be felt on the dirge-like ballad "Evergreen." Kneeland, with his deep-in-the-wood tone, cuts through the harmonically-rich ballad "Ice Orbits" with an inventive solo turn. The bassist then displays even more technical brilliance on the Latin-tinged "Steps," paving the way for one of Bakir's more inspired improvised journeys from the session the up-tempo "Play." The disc as a whole benefits from Kneeland being featured prominently. Ferber's sensitive drumming provides the right amount of dynamic push the proceedings, elevating piece to a high level of musicality. John Vincent Barron - Jazz Review.com A lot of young artists seem to throw out hard and fast material at the top of their album programs, to instantly grab attention, but the rest of the music often falls flat and doesn't live up to the early-track hype. Guitarist Sinan Bakir goes the other way, easing into his music as On My Way sets sail, preferring to hold all the aces until later in the game. The title track and, to a greater extent, "Into The Blue" are musically expressive and performed well, but don't really demand attention. While Bakir, bassist Thomson Kneeland and drummer Mark Ferber seem to be more than comfortable in this modest musical area, the music doesn't stay there and the album really starts to take off with "Oddity." Opening as a Ferber-feature that highlights his tom work, Bakir and Kneeland give off a darker vibe when they first join in. Ferber cranks up the intensity as he develops his ideas, and eventually ends up with a more insistent feel, driven by his cymbal work. "Stop N' Go" starts off with a three-chord pattern from Bakir, while Ferber works a funk-tinged rock beat as Bakir solos, with a similarly inclined, repetitious line from Kneeland. Ferber blows off some steam with an impressive solo of his own, and the band chills out after this one, delivering the mellow ballad, "Ice Orbits." While "Steps" falls into a similar category as the opening tracks, its featherweight Latin underpinnings differentiate it. "Play!," the penultimate performance on the album, is a more overt expression ofBakir's Latin roots, and the Samba-fun(k) from Ferber and Kneeland is fantastic. Bakir's inspired soloing feeds off of the energy coming from his trio mates, with lines possessing laser-like focus. The material leading up to "Play!" is equally impressive. The spirit of guitarist John Scofield looms large over Bakir's playing, in particular on "Blues for Istanbul" and "Karma," where the entire trio seems to relish the opportunity to cut loose, the music resonating with a great sense of urgency. Kneeland's delivers his strongest solo the album, as he flies through the music with impassioned technique and energy. "Blues For Istanbul" has a cooler demeanor in its DNA, but happens to have one of the hippest feels of any tracks on the album. This trio outing certainly demonstrates that Sinan Bakir is, indeed, on his way. Dan Bilawsky - All About Jazz The young yet poised guitarist from Turkey named Sinan Bakir by way of Hartford, CT arrives in this summer with a solid and refreshing collection of music titled “On My Way” which also features New York studio veterans the talented bassist Thomson Kneeland and jovial drumming provided by none other than Mark Ferber. When new music arrives, I’m always excited but I’m usually hail captive in not knowing what to expect. From the opening note, guitarist Sinan Bakir’s voice clearly define his purpose as his crisp tone rings with assurance, grace and maturity on the title track “On My Way” caught me surprisingly off guard. As I listen, Sinan’s laid-back compositional style began to expand as his voice quivered with atoning excellence and undertone of another guitarist John Scofield began to register as he approached “Into the Blue.” Next up, “Oddity,” follows to employ the same rich tonality, phrases and quality as the aforementioned title while he raises the bar tempo wise to express his ongoing thirst to write and play resilient music with unrefined sensibility. “Stop N’ Go,” is an example of Bakir’s enthusiasm to further express himself as you’ll discover this mid-tempo gem is spirited and balanced by the fiery interplay by his unparalleled cohorts. Meanwhile, the swag of “Blues for Istanbul,” burns slowly as it spreads evenly on this canvas as the trio swings gently through the passages in the spirit of jazz Turkish style. On this project, guitarist/composer Sinan Bakir has without a doubt done things exactly his way. What Sinan has given us here is a blueprint of his soul, you’ll find eleven songs which embody a variety of shapes and tones influenced from the audible expressions of Turkey with of course a generous helping of jazz America style on this collection of songs I found respectfully thought out and played with understated fervor and precision that we’ve come to expect as jazz and music enthusiasts. Let’s stay tuned and see what’s next from this upcoming guitarist/composer named Sinan Bakir. Rob Young - Urbanflux These pieces are not just vamps waiting for long solos; instead, many of the songs have strong melodic lines that open up logically for the various solos. "Oddity" displays a Middle-Eastern feel in the rhythms and ringing guitar chords; Bakir's stinging phrases gallop atop Ferber's exciting drum work and Kneeland's rich bass tones. "Stop & Go" has a "rockish" feel, thanks to the pounding drums and thumping bass lines. Bakir digs in on this track and one can hear the influence of Allan Holdsworth, not so much for blazing fast riffs but in the textures of the guitar sound. Without a second lead instrument, Bakir alternates between single-note lines and chordal strumming. "Steps" is a good example of how he allows the melody to dictate the pace, giving room to Kneeland for a short, melodic, solo before digging in to a thoughtful guitar spot. Other highlights include the title track that opens the program. The guitarist's sound is quite clear allowing the trills and little circular riffs to stand out on a piece that is somewhat introspective. "Play!" is another "hot" track, with a rhythm line that, at times, sounds like Juan Tizol's "Caravan." Kneeland's bouncing bass phrases atop Ferber's strutting drums gives the guitarist the impetus to "let rip." "On My Way" is a solid debut. It's easy to put this music on and just let it play. One can hear the influences of Holdsworth, John Scofield and Bill Frisell but Bakir is no imitator. The voice of the guitar one hears on the opening cut never wavers or falters throughout. The rhythm section is impressive in their support and creativity. Sinan Bakir is a good young composer and player worth your attention. Richard Kamins - Hartford Courant Young Sinan Bakir shows a maturity well beyond his youthful appearance. The young man favors a clean tone and assured, John Scofield-like approach. Backed by bassist Thomas Kneeland and drummer Mark Ferber, the guitarist starts off with two nicely paced mid tempo numbers before things really kick into high gear on the sinewy “Oddity” and rocking ”Stop N' Go.” Bakir calls upon some of his heritage in some moments on his solos which exhibit a bit of Middle-Eastern influence. “Ice Orbits” is cool and subtle, while “Karma” is high-stepping fun. “Blues for Istanbul” combines Turkish directions with the blues, while “Play!” has an engaging Latin touch that is delivered with jubilant energy by the trio. A nice mixture of slower- paced and faster material, played well. Bakir does indeed seem to be a young musician “on his way” and I will be interested to see where he takes his talent next. Brad Walseth - JazzChicago.net Music has a formula: Understanding theory, originality, natural talent, the right chemistry, discipline and focus, incorporate your own influences, understand the business side, and most importantly, music continues to grow inside you for the rest of your life. Sinan Bakir has accomplished and understands all of the above with his (self released) debut LP "On My Way" His well matched trio including the extremely talented Thomas Kneeland on acoustic bass and the magnificent drummer Mark Ferber, have presented us with something new, different and fresh. Jazz has evolved yet again with this new alternative. Lend an ear, it's not your parents/grandparents music anymore. If you haven't discovered Jazz yet, now is the opportune time to do so. Jazz has a new vehicle with Sinan Bakir at the helm and this generation can claim him as one of their own. Debut LP "On My Way" . "Stop and Go" has a delicious vibe with an example of what a perfect trio should sound like. Listen for the drum solo. "Ice Orbits"www.myspace.com/sinanbakir has a sweet lazy day feel with layers of emotional complexities yawning and spreading it's wings. "Evergreen" Is truly a lovely piece from start to finish with an epic bass solo. Lucia Sanchez - Examiner Any jazz afficianado will love this hot debut from guitarist Sinan Bakir, who has been making a name for himself, playing around the tri-state area these past couple of years. This is an album you can really sink your teeth into, delving into the many delights of Bakir's pure guitar sounds, (no pedals please), his passages are well thought out and devoid of any guitar shredding so endemic in todays music be it jazz or rock. Bakir wears his influences proudly and I hear the echo's of the greats like Wes Montgomery, Les Paul, Pat Metheny, John Scofield et al. Recorded in a one day session, in a re- furbished studio that was once an old church, Bakir and his two seasoned New York studio veterans on acoustic bass and drums have made an album that could have been recorded 50 years ago but could also have been made today and will still sound great 30 years from now..You couldn't get a higher compliment. Joseph J. Sciortino - Amazon reviewer Sinan has introduced himself as a talented author, and his performing views accepts a modern tendencies. His themes were done in one interesting performing mood, where influences comes out from the 50's, and reachs actuelle period. His guitar technique is in many aspects unique, but offering arrangments has something "taken" from Metheny/Scofield approaches. His performing energy is also specific, and in interesting way he treats often rhythm changes in present album themes. "On My Way" is highly recomandable product, and realistically announce Sinan' s arrival on modern jazz scene. Branimir Lokner - Music Editor and Reviewer Sinan Bakir's debut album of jazz guitar is a solid start. While the first two tracks are somewhat undifferentiated traditional-style jazz, the album really picks up with "Oddity", which comes roaring out of the gates with rumbling drums, and "Stop N' Go", which centers on a rock groove that's more Hendrix than Scofield. Track 10, "Play!", showcases a talent that Bakir's live audiences are familiar with: his amazing accompaniment during bassist Thomson Kneeland's righteous solo. Dan Barry - Hartford Advocate Your album transform a common day into a perfect day!Wonderfull playing,amazing compositions!I guess it was a little magic there...I play again and again this music and i can't get enough! Dither Schmidt, Radio Resita Romania Giving the effects pedal a serious workout, Connecticut guitarist Sinan offers laser-like electric guitar riffs run through futuristic fusion processors. With the grit of hard rock and the glimmer of prog jazz, these virtuosic runs recall Steve Vai's: blistering, but never impatient. music.download.com Gig Reviews "Szechuan Tokyo" Gig Review at Hartford Courant by Chuck Obuchowski "Public" Gig Review at Hartford Advocate - Local Motion by Dan Barry "Barca" Gig review at Hartford Advocate - Night Owl by Robert Cooper His playing was quietly elaborate, informed by a good sense of when to crescendo and when to lean back and let it rip. The trio proves an interesting point: there are other ways for jazz musicians to play with rock ideas without styling themselves after Miles Davis-type fusion. Dan Barry - Hartford Advocate Another interesting act is Sinan Bakir http://www.sinanbakir.com/ and his Sinan Trio. Pete caught them at Schezuan Tokyo on Hartford. Sinan plays more in the modern-electric guitar vein, but uncorked some stank brew (that's good, just in case you were wondering) during an interesting but subdued club set. These guys had a really fine division of sound between the bass, drums, and guitar. Check them out if you have a chance. http://www.united-mutations.com From the Press Article at Hurriyet 5/26/2009 Hartford Courant 4/28/2009 Article at the Turkish Jazz Magazine, April 2009 Issue Article at the German Online Magazine, 3/4/2009 Interview at the Turkish Jazz Portal "Cazkolik", 3/8/2009 Interview at the Turkish Jazz Magazine, January 2009 Issue Article at Hurriyet 10/8/2008